A vibrant sunbird perched on an aloe vera plant in a lush garden setting.
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While multiplex giants like PVR Inox grapple with financial strain, an unexpected revival is unfolding in India’s small towns. Single-screen cinemas, once written off as relics of the past, are drawing crowds again—backed by none other than Bollywood’s biggest stars. Shah Rukh Khan and Aamir Khan have publicly championed the cause, while Ajay Devgn is already investing in refurbishing old theatres. But what’s driving this shift? The answer lies in affordability, local charm, and a hunger for entertainment in places long ignored by multiplex chains.
A trip to the movies in a metro city now feels like a luxury. With PVR Inox tickets often crossing ₹500—and popcorn adding another ₹300—families are thinking twice. The high operational costs of multiplexes, from mall rentals to air conditioning, only compound the problem. It’s no surprise that middle-class audiences, already tightening their belts, are opting out.
Multiplexes have saturated metro cities, clustering in malls where footfall is high but competition is fierce. Expanding to Tier 2 or 3 cities? That’s a tougher sell. The economics don’t stack up when you’re paying metro-level rents in towns where disposable incomes are lower. The result? A growth ceiling no one saw coming.
Search for “PVR and Inox are exploiting people,” and you’ll find rants about ₹200 sodas and “dynamic pricing” that feels predatory. The backlash isn’t just about money—it’s about perception. Multiplexes are increasingly seen as elitist spaces, out of sync with what most Indians want: simple, affordable entertainment.
Imagine a town of 200,000 with no decent cinema for miles. That’s the reality in countless small urban centers. When a new screen opens—even a modest one—it becomes an instant hotspot. The demand was always there; it just needed someone to tap into it.
At ₹100–150 per ticket, small-town cinemas are a steal compared to multiplexes. But it’s not just about price. These theatres curate a mix of Bollywood blockbusters, regional hits, and even local events like weddings or political rallies. They’re not just screens; they’re community spaces.
When Shah Rukh Khan says, “We need theatres in every small town,” people listen. Aamir Khan’s calls for expansion resonate, while Ajay Devgn puts money where his mouth is, reviving single screens. Their influence is turning the tide, one town at a time.
In small towns, cinemas are more than movie halls—they’re where first dates happen, families bond, and festivals are celebrated. Contrast that with urban multiplexes, where debates about “Is it safe to kiss in a movie hall?” highlight how impersonal they’ve become.
Why drive 30 minutes to a crowded mall when there’s a cinema down the street? Small-town theatres thrive on convenience, often sitting in the heart of residential areas. With no competitors nearby, they’re the only game in town.
Parents who grew up in the single-screen era are now bringing their kids, sharing memories of intermissions and balcony seats. It’s nostalgia with a business model—one that multiplexes, for all their polish, can’t replicate.
Can these cinemas maintain their charm without raising prices? Some fear they’ll repeat the mistakes of multiplexes if costs creep up. For now, though, the focus is on keeping it simple and sustainable.
Hit films like “Pathaan” bring crowds, but flops like “Jigra” remind us that content is king. Stars can’t just preach theatre culture; they need to deliver movies worth leaving home for.
Could multiplex chains pivot to smaller towns with leaner models? Or will local exhibitors partner with Bollywood for exclusive releases? The future might lie in blending the best of both worlds.
As PVR Inox wrestles with urban saturation and PR crises, small-town cinemas are thriving on affordability, community ties, and star-powered advocacy. It’s a reminder that sometimes, progress means going back to basics. Could this be the rebirth of India’s cinema culture—one small town at a time?
What’s your take—are multiplexes doomed, or will they adapt?
Source: Livemint – Industry
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